“Resim 1980'lerde ölü ilan edildiğinden beri, yeni nesil sanatçılar, figürasyonun ifade potansiyelini yeniden canlandırıyor. Canlı tuvallerini sosyal ve politik bir altlıkla yükleyerek, Philip Guston'un sözlerini tekrarlıyorlar: 'Tüm bu Saflıktan bıktım ve yoruldum. Hikayeler anlatmak istedim '. " - Whitechapel Galerisi
Radikal Figürler: The Whitechapel Gallery'nin en yeni sergisi Yeni Binyılda Resim Sergisi şimdi yeniden açıldı! Bugün, Daniel Richter, Michael Armitage ve Nicole Eisenman'a eşdeğer sanatçıların figüratif sanat eserlerinin en yenilerini görebileceğiniz yer olan 30 Ağustos'a kadar uzanıyor.
Sergilenen pek çok sanatçıdan Ryan Mosley'i radikal bir kararın kendisi için ne anlama geldiğini, kullandığı malzemeleri ve sevdiği şu andan itibaren yaptığı çalışmaları anlatmak için yakaladık:
Ryan Mosley, Yılanlara Yılan Olmayı Öğretmek
Merhaba Ryan, konuşmak için zaman ayırdığınız için teşekkürler! Öncelikle sanatçı olarak yolculuğunuz ve sanatsal gözleminiz hakkında biraz bilgi verebilir misiniz?
I left faculty at 16 with 1 GCSE which was in artwork. This both enforced a artistic route was one thing I needed to take or the risk that I wanted to cling onto this with pricey life. In some ways tutorial failings as a teenager meant I had few decisions 1 of the decisions was going to the native artwork school Chesterfield College and taking over an NVQ and a BTEC in artwork and design. I did three years in whole at Chesterfield College finding out the equal of A ranges then a basis yr, 1997-2000 all this research in artwork and design however with a robust leaning in direction of portray and sculpture earlier than going onto an undergraduate diploma in Fine artwork. I went onto research drawing and portray on the University of Huddersfield 2000-2003. I then took a yr out and moved to Sheffield and had a studio at S1 artwork area earlier than shifting to London for 10 years 2004-2014. I studied on the RCA 2005-2007 within the portray faculty. After graduating from the RCA I constructed a house studio within the backyard and painted on daily basis. After a number of group reveals in London I had my first solo exhibition in Vienna in 2008. Since then I’ve been lucky sufficient to color on daily basis.
İşinizle ilgili olarak tipik olarak hikaye anlatımından bahsettiniz - bizim için bunu geliştirebilir misiniz?
I’ve at all times been curious about tales from an early age. I see the identical fascination with my very own youngsters and tales, I believe people are naturally wired to need to take heed to tales and to develop upon them. I at all times made drawings of characters as a baby, principally theses developed from comedian strips characters, or characters from books, cartoons. There was one thing fascinating concerning the framing system of a comic book and the tactility of the newsprint paper it was printed on.
Ryan Mosley, Krallar Eğiliyor
Ve öykünün bu nosyonuyla, imaj oluşturmanın neredeyse bir halk masalı niteliği var. Çalışmanızın yakın zamanda bir ozan olarak hareket etmenize izin verdiğini söyleyebilir misiniz?
Some of the characters who reappear within the work have been borrowed from folklore, artwork historical past, and have gone via this filter of modernity however all of them have a place to begin whether or not it’s a Don Quixote, or Odysseus or Bottom, all of them have some character trait which may very well be learn in a modern setting. I discover fascinating is the well-trodden path of the visible arts and its relation to folklore, language, storytelling, fable…
Stüdyonuzda araştırmış olsaydım, her zaman hangi malzemeleri keşfetmeye meyilliyim? Ve geri dönmek istediğiniz belirli üreticiler var mı?
I exploit lots of oil paint which extra typically find yourself on rags within the bin, rags, I really like Michael Harding, Old Holland, Williamsburg, Sax paint in addition to typically the manufacturers I first began out with the Georgian paint and even Stokes oil paint that are/ had been a Sheffield based mostly small producer of oil paint. For drawing I exploit willow Charcoal, for smaller works on paper I exploit ink, and Lascaux gouache
Ryan Mosley, Akşam için Kelimeler
Daha önce hiçbir hazırlıksız eskiz yapmakla uğraştınız, resminizi tuvalin zemininde gerçek zamanlı olarak keşfettiniz ve sonra kesinlikle tekrar dikkatli çizime gittiniz. Şu an neredesin ve şu anda portreni nasıl şekillendiriyorsun?
I am going between totally different processes, typically the drawing turns into far more fascinating than the portray and vice versa. I’m at present engaged on some wall hangings which want the predatory blue print for them to exist so these have be born from drawings. The work I’m engaged on haven’t any drawing or blueprint, they’re simply made instantly onto the canvas virtually the paint brush turning into a pencil.
Şu anda Whitechapel Galerisinde Radikal Figürler: Yeni Binyılda Resim Yapmanın bir parçasısınız. Ne yapar Radikal Figür bir sanatçı olarak sana mı ima ediyor?
I believe radical determine may very well be utilized to all types of creativity. In the context of the exhibition I believe all of the artists have their very own distinctive voice so perhaps that’s the radical side in world of main branding and modular design the distinctive high quality of a person is important and may very well be radical
Ryan Mosley, Başkasının Başını Ceketinize Takmak
Ve neden mecazi tasvirin şu anda bu kadar önemli bir araştırma konusu olduğunu düşünüyorsunuz?
I believe it has at all times been round i believe in latest years individuals have been seeing extra figurative portray at galleries and museums which had been as soon as the locations the place no or little figurative portray existed. I additionally suppose a youthful technology are coming via artwork faculties and they’re reacting to know-how all of us have in abundance in our good telephones. Maybe portray is a means of slowing down and interested by life.
Ryan Mosley, Zamanın Ayetleri
Güncel figüratif tasvirlerin birçok farklı inanılmaz örneğinin yanında sergileniyorsunuz. Birkaç önemli noktayı seçmek zorunda olsaydınız, bunlar hangi işe yarardı ve neden?
Dana Schutz, Cecily Brown, These two energy homes of portray have been blazing paths for a very long time, a lot respect for the language and seductiveness of paint which they handle to make look easy
I’ve recognized Michael Armitage for a very long time and it’s been an exquisite factor to be in the identical exhibition as him and to see how his language has change into so recognisably Armitage. He’s an important painter and a stunning individual.
Nicole Eienmans work is superb the depiction of figures and the vast visible language used to explain the narratives which has a darkness which I like enormously.
Daniel Richter has been a benchmark for figurative portray for a very long time it’s an actual privilege to be included in the identical exhibition as Daniel.
It’s laborious to select a few highlights, although exhibiting alongside Christina, Tschabalala, Sanya and Tala in addition to the beforehand talked about artists is an actual privilege and honour.
Ryan Mosley, Yağların Hollandalılığı
Ve son olarak! Daha sonra ne ortaya çıkıyor?
I’m within the strategy of ending some new work and wall hangings for Frieze NY, I’ve not too long ago completed a public fee which can open within the fall of 2020.
Most thrilling of all although is the arrival of our child in June. I plan to get some sleep in earlier than life modifications but once more.
İlham mı Alıyorsunuz?
Ryan'ın çalışmasını Radikal Figürler: Yeni Binyılda Resim'de görebilirsiniz 30 Ağustos'a kadar - şimdiki zamanla ilgili daha fazlasını keşfedin
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